Review of: Gerry Open Halle

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Gerry Open Halle

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Gerry Open Halle

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As it turned out, there are several cities named Halle in Germany. Some competitors thought the Halle near Dresden was the tournament site. A few believed that it was the coastal resort city.

That is the only way to explain why he signed seventeen-year-old Stefanie Graf to be a Gerry Weber brand ambassador in Federer, who was ranked No.

During the spring, the weather in Europe varies dramatically. More often than not, rain is a companion of the season.

In its first year, the tournament was nearly washed away. He commissioned an architect to develop a plan for a retractable roof to cover the 12, seats in the Gerry Weber Stadion.

Weber, a thoughtful problem solver, handled the dilemma by recruiting Phil Thorn. Weber was not only a visionary but he was an avid and crafty left-handed recreational tennis player.

His son Ralf, who looked like he had just finished graduate school at the Gerry Weber Open announcement in Frankfurt later that year, was the Tournament Director — a position he still holds with the Noventi Open.

It was where he grew up. A factory and his corporate headquarters were there. His company employed thousands of people from the city and the surrounding area.

He cared about the community. He was one of them. It was theirs. Annually, people saved their vacation time and used it to work at the event.

They made the commitment because Weber had a commitment to his hometown. When you are around an individual once a year for more than a quarter of a century, you gain insight.

Over that time, I formed some revealing impressions. As I look back, Weber was always very proper and never overly expressive, but beyond this exterior it was clear that he really cared.

It could be seen in the way he treated staff members and season ticket holders. Though, in recent years, he had been slowed by health issues, he remained personable and annually appeared at the tournament.

He was a community activist who stayed in touch with local leaders and was aware of important local issues. Gerhard Weber led an impactful life.

Actually, archangel better defines his role. More important, he was a class act. His spirit will be missed by the game and his lifelong neighbors.

In an exhilarating rite of spring, I often attended the Italian Open. Still, I remember years past when I returned to Rome to watch the grueling clay court matches and to participate in the fascinating spectacle that swirls around the periphery of the courts.

If a city as multilayered and complex as Rome can be said to have a microcosm, then the Italian Open is it, compressing into a single week the essential elements of a 2,year-old metropolis that calls itself eternal, yet displays the frenetic energy of a fruit fly living only for a moment.

All the Roman hallmarks are here—dazzling color and motion, dense golden light, copious food and wine, high fashion and low comedy, spontaneous friendship and rabid nationalism, grace under fire and ham-handed evocations of a real and imagined past.

The tournament site, the Foro Italico, bristles with conflicting signs of order and anarchy. The order is entirely architectural, emphasizing examples of high Fascist style.

In the parking lot vehicles follow patterns and jockey for places in a fashion few Americans can imagine. Then at ticket booths and entry gates, where one expects to see lines, Italians tend to form jostling arabesques.

Italian authorities have banned spectators from the tournament because of Covid Once past the gates and onto the grounds, the crowd used to spread out and ogle not just the tennis, but the fashion show.

Often they wear the same outfits. Designer tennis clothes, in bold stripes or clinging pastels, are synonymous with Italy, and in no place are Fila, Ellesse, and Tacchini products better displayed than at the Foro Italico, where style, the creation of a bella figura, appears to be important to fans and players alike.

Surrounding Campo Centrale, the main show court, loom massive white marble statues of athletes. Ironically, they are all — even the skier and the ice skater — naked, and after recent renovations added seats at the top of the stadium, the statues appear to be comically inverted Peeping Toms who, while nude themselves, gaze into the bleachers full of completely clothed people.

On my first trip to the Foro Italico in the late 70s, an immense man with an even more immense voice stood up during change-overs and sang arias.

But not all of his countrymen are as artful at urging on their local heroes, and the history of the Italian Open has been marred by fans flinging seat cushions, soda cans and sandwiches.

On a few notable occasions, players have retreated rather than suffer the outrages that the crowd and Italian officials sometimes commit in support of local players.

In , Harold Solomon defaulted in the semifinals after getting a string of flagrantly unfair calls. He was used to people throwing money at him.

Promoters and advertisers had been doing it for years. In years past,serious fans often remained standing on the walkway encircling the courts.

This allowed them to shelterunder the umbrella pines that canopy the footpath. Up there in the shade the air is mild, while down on the courts, during long, hard-fought rallies, players shed rivulets of perspiration that speckle the clay with what looks like blood , calling to mindbullfights.

The court is slow. The balls are heavy. It is not easy. In what now seems like a former life fans werefree to retreat from matches and sip Campari and soda.

Inrestaurants on the grounds, they witnesseda different kind of entertainment. Say what you will about Italians and their frequent indifference to northern notions of efficiency, they can certainly choreograph a meal.

If the food falls short of gourmet standards, the show is never less than world class. By one of those screwy coincidences that abound in Rome, tennis at the Foro Italico during the s could claim no better than second billing.

On Viale delle Olimpiadi, in a gymnasium barricaded by sandbags and surrounded by armored personnel carriers, the Italian murder trial of the century took place over the course of three years.

While players bashed ground strokes back and forth, judges heard evidence against Red Brigades terrorists who kidnapped and assassinated Aldo Moro, the former prime minister.

But in Rome nobody seemed to find this bizarre. In , with Rafael Nadal vyingfor his tenth Italian Open title, at least one thingmight seem utterly predictable.

But in Rome one never knows when some surreal or sublime incident will upset the odds. He closed his illustrious career claiming his final major in New York, the city where it had all began.

Pete Sampras stunned the tennis world when he won the US Open singles title as a year-old in Twelve years later, he took full advantage of the opportunity in that same setting to bring the curtain down on his extraordinary career.

At the US Open, after having not played another tournament since the triumph, he fittingly took a final bow where it all had begun and officially retired.

The acclaimed Impressionist relied on the eyes of the viewer to mix the colors he used for his captivating landscapes, many of which he painted in his Giverny garden.

Flink, the International Tennis Hall of Fame inductee, uses words similar to the way Monet utilized his palette to create an understanding of who Sampras is and more important, a genuine feeling for him as a player and an individual that many watched but very few really knew.

He joined the pro ranks at Indian Wells in , five months before he turned As a result, many tennis aficionados knew him only based on his tournament results.

Otherwise, he was nearly invisible. He collects them from the likes of Jim Courier, Andre Agassi and Michael Chang, rivals that date back to their shared junior days.

I wrote the first Pete Sampras story that appeared nationally. Coincidentally, Steve Flink was the editor of the publication all those years ago.

Perhaps it was fate, but he would go on to become a Senior Writer at Tennis Week, and I found a spot as a Contributor to that magazine as well.

We met at Wimbledon in I wrote about him countless times both during and after his career. I would say I have done at least 15 or perhaps 20 features on Pete over the years.

As I said in my introduction, in my mind I had been writing the book since late in his career. Though such ventures are speculation, it is always fun to wonder — Would Bill Tilden have been competitive against Jack Kramer?

Mardy Fish. Roger Federer 3. Marat Safin. Roger Federer 4. Marcos Baghdatis. Roger Federer 5. Philipp Kohlschreiber. Tommy Haas. Novak Djokovic.

Lleyton Hewitt. Philipp Petzschner. Tommy Haas 2. Roger Federer 6. Mikhail Youzhny. Roger Federer 7.

Alejandro Falla. Roger Federer 8. Andreas Seppi. Florian Mayer. Alexander Zverev. Roger Federer 9. Roger Federer David Goffin.

Not held due to the coronavirus pandemic. Petr Korda Cyril Suk. Mike Bauer Marc-Kevin Goellner. Henri Leconte Gary Muller. Jacco Eltingh Paul Haarhuis.

Yevgeny Kafelnikov Andrei Olhovskiy. Byron Black Grant Connell. Yevgeny Kafelnikov Daniel Vacek. Karsten Braasch Michael Stich.

David Adams Marius Barnard. Ellis Ferreira Rick Leach. Jonas Björkman Patrick Rafter. Paul Haarhuis Jared Palmer. Nicklas Kulti Mikael Tillström. Mahesh Bhupathi David Prinosil.

Daniel Nestor Sandon Stolle. Max Mirnyi Patrick Rafter. David Prinosil David Rikl. Jonas Björkman Todd Woodbridge.

Jonas Björkman 2 Todd Woodbridge. Martin Damm Cyril Suk. Leander Paes David Rikl 2. Yves Allegro Roger Federer.

Joachim Johansson Marat Safin. Michael Kohlmann Rainer Schüttler. Simon Aspelin Julian Knowle. Mikhail Youzhny Mischa Zverev.

Christopher Kas Philipp Kohlschreiber.

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